The Prince of Egypt is certainly epic, and needs to be seen to be believed. But that said, this biblical story still looks right at home up on that Dominion Theatre stage, and audiences are sure to love those big ensemble numbers and be swayed by the fantastic score. There are certainly issues with this new musical, the book being the biggest. Beyond its biblical subject matter, this visually stunning movie. It’s a little disappointing that so much relies on projections, with physical set in short supply, but the truth is, it does look fantastic. Prince of Egypt breathes color and life into key milestones on Israels journey to freedom. It’s little touches, like the bush, or the parting of the red sea which help to make this musical visually stunning. The Prince of Egypt may also have one of the hardest working ensembles in the West End, Sean Cheesman’s energetic choreography certainly puts them to the test, but they also make up part of the set, including the burning bush. The main drive of the story is the relationship between these two brothers, and Luke Brady and Liam Tamne do not disappoint with their performances.
So too is ‘Footprints On The Sand’ sung by Moses and later reprised by Moses and Ramses. Philip LaZebnik’s book is a bit like Nickelodeon does the Bible, I’m sure I heard Moses say ‘Whoa!’, and the first act is so banal that it could have been written by an enthusiastic Sunday School teacher.īut there are many more fantastic songs, ‘Deliver Us’ or ‘Through Heaven’s Eyes’ are great examples of how Schwartz has written a richly layered score. The problem is the Book of Exodus has been watered down to the extent that any kind of emotional draw is completely lost.
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It’s the story of how Moses deserted his brother Ramses to free the Hebrews from slavery. In summation, The Prince of Egypt continues to stand tall as one of the most powerful, emotionally satisfying, and downright ambitious animated movies ever created.
I’m not sure I actually remember ever seeing the film, and perhaps there’s a reason for that. The Dominion is a huge stage to fill and clearly this production has had everything thrown at it to make sure that stage is filled, but behind the glitter, all is not gold. There are moments in The Prince of Egypt which are truly stunning, but there are just as many that fall flat. Having originally had a small try out in Silicon Valley, the now fully formed The Prince of Egypt makes it’s premiere at The Dominion Theatre in London. The stage adaptation has been a long time coming and with two religious themed musicals already under his belt, Stephen Schwartz adds another ten songs to the five he originally wrote for the movie, and his son, Scott Schwartz, directs. Dreamworks first traditionally animated film, The Prince of Egypt was a critically acclaimed success, although it’s never fully attained the same kind of status as Disney rivals.
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